Last week I shot a roll of film that I’d got free with a second hand camera. When I got back the scans I found out that the roll had already been used by the guy who gave me it and so I had double exposed it. By chance, both of us had taken a photo of a motorway landscape and this was made. His photo is from the inside of the car looking at countryside and my shot of an urban motorway is best seen on the left hand side.
Terrance Houle: Urban Indian Series (2004),
Born December 9, 1975, in Calgary. Lives and works in Calgary. In a practice that ranges from performance to photography to film and video works, Blackfoot artist Terrance Houle remakes the troubled history of colonialism and First Nations identity with a roguish wit and punk-rock edge. His strategy matches self-deprecating humour with an uneasy undertone; the results cut away at both Aboriginal and non-Aboriginal notions of an urban Indian status quo. In his Urban Indian Series (2004), Houle is pictured grocery shopping, working in an office cubicle and riding public transit—all in elaborate powwow regalia.
In the performance video Friend or Foe (2010–11), he plays off cultural and historical gaps in communication while dressed in a loincloth and communicating by sign language.
Contemporary Art Week!
For my photography class I did series of self-portraits in which I attempted to portray culture and counterculture for the past 10 decades. This is the product of that idea…
"I have a neck injury so I had to tone it down this year."